Mozart Compositions
As a contibution to the great maestro Mozart, which is the source origin for this site name, we have gathered for you a list of all of his works.
These lists are based on the sixth edition of Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts (Chronological-Thematic Catalog of the Complete Works of Wolfgang AmadÈ Mozart), published in 1964. That information has been checked against more recent sources, chiefly The New Grove Mozart by Stanley Sadie. Works deemed spurious or doubtful have been deleted, as have most fragments and works that are considered lost.
Numbers from the first (K1) and sixth (K6) editions of the Köchel catalog are clearly marked in these lists. In all other references, the Mozart Project uses the following convention: Whenever possible, the original, first-edition designation is used. If there is a distinct sixth-edition designation, that number is separated from the first by a slash. If there is no first-edition designation, then only the sixth-edition number is used.
Works: 1761-1766
| K1 | K6 | Composition | Date | Place |
|---|---|---|---|---|
| 1a | Andante in C for Keyboard | Early 1761 | Salzburg | |
| 1b | Allegro in C for Keyboard | Early 1761 | Salzburg | |
| 1c | Allegro in F for Keyboard | Dec. 11, 1761 | Salzburg | |
| 1d | Minuet in F for Keyboard | Dec. 16, 1761 | Salzburg | |
| 1 | 1e | Minuet in G for Keyboard | Dec.-Jan. 1761-62 | Salzburg |
| 1 | 1f | Minuet in C for Keyboard | Dec.-Jan. 1761-62 | Salzburg |
| 6 | 6 | Sonata in C for Keyboard and Violin | 1762-64 | Salzburg or Paris |
| 7 | 7 | Sonata in D for Keyboard and Violin | 1762-64 | Salzburg or Paris |
| 2 | 2 | Minuet in F for Keyboard | January 1762 | Salzburg |
| 3 | 3 | Allegro in B flat for Keyboard | March 4, 1762 | Salzburg |
| 4 | 4 | Minuet in F for Keyboard | May 11, 1762 | Salzburg |
| 5 | 5 | Minuet in F for Keyboard | July 5, 1762 | Salzburg |
| 5a | Allegro in C for Keyboard | Summer 1763 | ||
| 8 | 8 | Sonata in B flat for Keyboard and Violin | 1763-64 | Paris |
| 9 | 9 | Sonata in G for Keyboard and Violin | 1763-64 | Paris |
| 10 | 10 | Sonata in B flat for Harpsichord, Violin (Flute) and Cello | 1764 | London |
| 11 | 11 | Sonata in G for Harpsichord, Violin (Flute) and Cello | 1764 | London |
| 12 | 12 | Sonata in A for Harpsichord, Violin (Flute) and Cello | 1764 | London |
| 13 | 13 | Sonata in F for Harpsichord, Violin (Flute) and Cello | 1764 | London |
| 14 | 14 | Sonata in C for Harpsichord, Violin (Flute) and Cello | 1764 | London |
| 15 | 15 | Sonata in B flat for Harpsichord, Violin (Flute) and Cello | 1764 | London |
| 16 | 16 | Symphony in E flat, No. 1 | 1764 | London |
| 19 | 19 | Symphony in D, No. 4 | 1765 | London |
| Anh. 223 | 19a | Symphony in F | ?1765 | ?London |
| 21 | 19c | Aria for Tenor, “Va, dal furor portata” | 1765 | London |
| 15a-15ss | 44 Untitled Pieces, “London Sketchbook” | 1765 | London | |
| 19d | Sonata in C for Keyboard Four-Hands | May 1765 | London | |
| 20 | 20 | Motet in G minor, “God is Our Refuge” | July 1765 | London |
| 23 | 23 | Aria for Soprano “Conservati fedele” | October 1765 | The Hague |
| 22 | 22 | Symphony in B flat, No. 5 | December 1765 | The Hague |
Works: 1771-1775
| K1 | K6 | Composition | Date | Place |
|---|---|---|---|---|
| 104 | 61e | 6 Minuets | Late 1770-Early 1771 | Salzburg |
| 74b | Aria for Soprano, “Non curo l’affetto” | Early 1771 | Milan or Pavia | |
| 75 | 75 | Symphony in F, “No. 42” | 1771 | Salzburg |
| 108 | 74d | Regina Coeli in C | May 1771 | Salzburg |
| 109 | 74e | Litaniae Lauretanae BVM in B flat | May 1771 | Salzburg |
| 72 | 74f | Offertory in G, “Inter natos mulierum” | May-June 1771 | Salzburg |
| 118 | 74c | La Betulia liberata | March-July 1771 | Italy and Salzburg |
| 110 | 75b | Symphony in G, No. 12 | July 1771 | Salzburg |
| 96 | 111b | Symphony in C, No. 46 | Oct.-Nov. 1771 | Milan |
| 111 | 111 | Ascanio in Alba | Oct. 17, 1771 | Milan |
| 120 | 111a | Finale of a Symphony in D (“Ascanio in Alba”) | Oct.-Nov. 1771 | Milan |
| 113 | 113 | Divertimento in E flat | November 1771 | Milan |
| 112 | 112 | Symphony in F, No. 13 | Nov. 2, 1771 | Milan |
| 114 | 114 | Symphony in A, No. 14 | Dec. 30, 1771 | Salzburg |
| 73i | Canon in A for 4 or 5 voices in 1 | 1772 | ||
| 89 | 73k | Kyrie in G for 5 voices in 1 | 1772 | Rome? |
| 73r | 4 Riddle Cannons | 1772 | ||
| 73x | 14 Canonic Studies | 1772 | ||
| 107 | 107 | 3 Concertos for Piano after J.C. Bach | 1772 | Salzburg |
| 67 | 41h | Church Sonata in E flat | 1772 | Salzburg |
| 68 | 41i | Church Sonata in B flat | 1772 | Salzburg |
| 69 | 41k | Church Sonata in D | 1772 | Salzburg |
| 136 | 125a | Divertimento in D | Early 1772 | Salzburg |
| 137 | 125b | Divertimento in B flat | Early 1772 | Salzburg |
| 138 | 125c | Divertimento in F | Early 1772 | Salzburg |
| 124 | 124 | Symphony in G, No. 15 | Feb. 21, 1772 | Salzburg |
| 125 | 125 | Litaniae de venerabili altaris sacramento in B flat | March 1772 | Salzburg |
| 103 | 61d | 19 Minuets | Spring-summer 1772 | Salzburg |
| 126 | 126 | Il sogno di Scipione | May 1772 | Salzburg |
| 127 | 127 | Regina coeli in B flat | May 1772 | Salzburg |
| 128 | 128 | Symphony in C, No. 16 | May 1772 | Salzburg |
| 129 | 129 | Symphony in G, No. 17 | May 1772 | Salzburg |
| 130 | 130 | Symphony in F, No. 18 | May 1772 | Salzburg |
| 73 | 73 | Symphony in C, No. 9 | Early summer 1772 | Salzburg |
| 381 | 123a | Sonata in D for Keyboard Four-Hands | Mid 1772 | Salzburg |
| 164 | 130a | 6 Minuets | June 1772 | Salzburg |
| 131 | 131 | Divertimento in D | June 1772 | Salzburg |
| 290 | 167AB | March in D | Summer 1772 | Salzburg |
| 132 | 132 | Symphony in E flat, No. 19 | July 1772 | Salzburg |
| 133 | 133 | Symphony in D, No. 20 | July 1772 | Salzburg |
| 134 | 134 | Symphony in A, No. 21 | Aug. 1772 | Salzburg |
| 155 | 134a | Quartet (Divertimento) in D for Strings | Oct.-Nov. 1772 | Bozen and Verona |
| 156 | 134b | Quartet in G for Strings | End 1772 | Milan |
| 135 | 135 | Lucio Silla | Dec. 26, 1772 | Salzburg and Milan |
| 140 | Anh. C1.12 | Missa brevis in G | ?1773 | ?Salzburg |
| 205 | 167A | Divertimento in D | 1773? | Salzburg |
| 157 | 157 | Quartet in C for Strings | End 1772-early 1773 | Milan |
| 158 | 158 | Quartet (Divertimento) in F for Strings | End 1772-early 1773 | Milan |
| 165 | 158a | Motet in F for Soprano, “Exsultate, jubilate” | Jan. 1773 | Milan |
| 159 | 159 | Quartet (Divertimento) in B flat for Strings | Early 1773 | Milan |
| 160 | 159a | Quartet in E flat for Strings | Early 1773 | Milan |
| 186 | 159b | Divertimento in B flat | March 1773 | Milan |
| 166 | 159d | Divertimento in E flat | March 24, 1773 | Salzburg |
| 184 | 161a | Symphony in E flat, No. 26 | March 30, 1773 | Salzburg |
| 199 | 161b | Symphony in G, No. 27 | April 10 [?16], 1773 | Salzburg |
| 162 | 162 | Symphony in C, No. 22 | April 19 [?29], 1773 | Salzburg |
| 181 | 162b | Symphony in D, No. 23 | May 19, 1773 | Salzburg |
| 167 | 167 | Missa in C, “Trinitatis” | June 1773 | Salzburg |
| 188 | 240b | Divertimento in C | Mid 1773 | Salzburg |
| 185 | 167a | Serenade in D, “Andretter” | July-August 1773 | Vienna |
| 189 | 167b | March in D | July-August 1773 | Vienna |
| 168 | 168 | Quartet in F for Strings | August 1773 | Vienna |
| 169 | 169 | Quartet in A for Strings | August 1773 | Vienna |
| 170 | 170 | Quartet in C for Strings | August 1773 | Vienna |
| 171 | 171 | Quartet in E flat for Strings | August 1773 | Vienna |
| 172 | 172 | Quartet in B flat for Strings | ?September 1773 | Vienna |
| 173 | 173 | Quartet in D minor for Strings | September 1773 | Vienna |
| 180 | 173c | 6 Variations in G on “Mio caro Adone” | Autumn 1773 | Vienna |
| 182 | 173dA | Symphony in B flat, No. 24 | Oct. 3, 1773 | Salzburg |
| 183 | 173dB | Symphony in G minor, No. 25 | Oct. 5, 1773 | Salzburg |
| 143 | 73a | Motet for Soprano in G, “Ergo interest” | Late 1773 | Salzburg |
| 174 | 174 | Quintet in B flat for Strings | December 1773 | Salzburg |
| 175 | 175 | Concerto in D for Piano, No. 5 | December 1773 | Salzburg |
| 176 | 176 | 16 Minuets | December 1773 | Salzburg |
| 315g | 8 Minuets | Lat 1773 | Salzburg | |
| 144 | 124a | Church Sonata in D | 1774 | Salzburg |
| 145 | 124b | Church Sonata in F | 1774 | Salzburg |
| 161/163 | 141a | Symphony in D, “No. 50” | 1773-74 | Salzburg |
| 358 | 186c | Sonata in B Flat for Keyboard Four-Hands | Late 1773-early 1774 | Salzburg |
| 201 | 186a | Symphony in A, No. 29 | April 6, 1774 | Salzburg |
| 195 | 186d | Litaniae Lauretanae BVM in D | May 1774 | Salzburg |
| 202 | 186b | Symphony in D, No. 30 | May 5, 1774 | Salzburg |
| 190 | 186E | Concertone in C | May 31, 1774 | Salzburg |
| 179 | 189a | 12 Variations in C on a Minuet by Fischer | Summer 1774 | Salzburg |
| 191 | 186e | Concerto in B flat for Bassoon | June 4, 1774 | Salzburg |
| 192 | 186f | Missa brevis in F | June 24, 1774 | Salzburg |
| 193 | 186g | Dixit Dominus, Magnificat in C | July 1774 | Salzburg |
| 203 | 189b | Serenade in D, “Colloredo” | August 1774 | Salzburg |
| 237 | 189c | March in D | August 1774 | Salzburg |
| 194 | 186h | Missa brevis in D | Aug. 8, 1774 | Salzburg |
| 200 | 189k | Symphony in C, No. 28 | Nov. 17 [?12], 1774 [?73] | Salzburg |
| 121 | 207a | Finale of a Symphony (“La finta giardiniera”) | End 1774-Early 1775 | Salzburg |
| 220 | 196b | Missa brevis in C, “Spatzen” | 1775-76 | |
| 279 | 189d | Sonata in C for Keyboard | Early 1775 | Munich |
| 280 | 189e | Sonata in F for Keyboard | Early 1775 | Munich |
| 281 | 189f | Sonata in B flat for Keyboard | Early 1775 | Munich |
| 282 | 189g | Sonata in E flat for Keyboard | Early 1775 | Munich |
| 283 | 189h | Sonata in G for Keyboard | Early 1775 | Munich |
| 292 | 196c | Duo in B flat for Bassoon and Cello | Early 1775 | Munich |
| 222 | 205a | Offertory in D minor, “Misericordias Domini” | Early 1775 | Munich |
| 196 | 196 | La finta giardiniera | Jan. 13, 1775 | Salzburg |
| 284 | 205b | Sonata in D for Keyboard, “Durnitz” | Feb.-March 1775 | Munich |
| 207 | 207 | Concerto in B flat for Violin | April 14, 1775 | Salzburg |
| 208 | 208 | Il rè pastore | April 23, 1775 | Salzburg |
| 210 | 210 | Aria for Tenor, “Con ossequio, con rispetto” | May 1775 | Salzburg |
| 209 | 209 | Aria for Tenor, “Si mostra la sorte” | May 19, 1775 | Salzburg |
| 262 | 246a | Missa longa in C | June or July, 1775 | Salzburg |
| 211 | 211 | Concerto in D for Violin | June 14, 1775 | Salzburg |
| 212 | 212 | Church Sonata in B flat | July 1775 | Salzburg |
| 213 | 213 | Divertimento in F | July 1775 | Salzburg |
| 215 | 213b | March in D | August 1775 | Salzburg |
| 102 | 213c | Finale of a Symphony in C (“Il rè pastore”) | April and August 1775 | Salzburg |
| 204 | 213a | Serenade in D | Aug. 5, 1775 | Salzburg |
| 214 | 214 | March in C | Aug. 20, 1775 | Salzburg |
| 216 | 216 | Concerto in G for Violin, “Strassburg” | Sept. 12, 1775 | Salzburg |
| 218 | 218 | Concerto for Violin in D | Oct. 1775 | Salzburg |
| 217 | 217 | Aria for Soprano, “Voi avete un cor fedele” | Oct. 26, 1775 | Salzburg |
| 258 | 258 | Missa brevis in C, “Spaur” | Dec. 1775 | Salzburg |
| 259 | 259 | Missa brevis in C, “Organ Solo” | Dec. 1775 or 1776 | Salzburg |
| 219 | 219 | Concerto for Violin in A, “Turkish” | Dec. 20, 1775 | Salzburg |
| 147 | 125g | Song, “Wie unglucklich bin ich nit” | ?1775-76 | Salzburg |
| 148 | 125h | Song, Lobegesang auf die feierliche Johannisloge | ?1775-76 | Salzburg |
Works: 1776-1780
| K1 | K6 | Composition | Date | Place |
|---|---|---|---|---|
| 261 | 261 | Adagio in E for Violin | 1776 | Salzburg |
| 269 | 261a | Rondo in B flat for Violin | 1776 | Salzburg |
| 238 | 238 | Concerto in B flat for Piano, No. 6 | January 1776 | Salzburg |
| 239 | 239 | Serenata notturna in D | January 1776 | Salzburg |
| 240 | 240 | Divertimento in B flat | January 1776 | Salzburg |
| 252 | 240a | Divertimento in E flat | Early 1776 | Salzburg |
| 241 | 241 | Church Sonata in G | January 1776 | Salzburg |
| 101 | 250a | 4 Contredanses, “Serenade” | ?Early 1776 | Salzburg |
| 269b | 4 Contredanses | ?Early 1776 | Salzburg | |
| 242 | 242 | Concerto in F for three pianos, No. 7, “Lodron” | February 1776 | Salzburg |
| 243 | 243 | Litaniae de venerabili altaris sacramento in E flat | March 1776 | Salzburg |
| 244 | 244 | Church Sonata in F | April 1776 | Salzburg |
| 245 | 245 | Church Sonata in D | April 1776 | Salzburg |
| 246 | 246 | Concerto in C for Piano, No. 8, “Lutzow” | April 1776 | Salzburg |
| 247 | 247 | Divertimento in F, “Lodron” | June 1776 | Salzburg |
| 248 | 248 | March in F | June 1776 | Salzburg |
| 260 | 248a | Offertory in D, “Venite populi” | Mid 1776 | Salzburg |
| 250 | 248b | Serenade in D, “Haffner” | June 1776 | Salzburg |
| 251 | 251 | Divertimento in D | July 1776 | Salzburg |
| 249 | 249 | March in D, “Haffner” | July 20, 1776 | Salzburg |
| 253 | 253 | Divertimento in F | August 1776 | Salzburg |
| 254 | 254 | Divertimento (Trio) in B flat | August 1776 | Salzburg |
| 255 | 255 | Recitative and Aria for Alto, “Ombra felice” | September 1776 | Salzburg |
| 256 | 256 | Aria for Tenor, “Clarice cara mia sposa” | September 1776 | Salzburg |
| 257 | 257 | Missa in C, “Credo” | November 1776 | Salzburg |
| 263 | 263 | Church Sonata in C | December 1776 | Salzburg |
| 274 | 271d | Church Sonata in G | 1777 | Salzburg |
| 289 | 271g | Divertimento in E flat | ?1777 | ?Salzburg |
| 277 | 272a | Offertory in F, “Alma Dei creatoris” | 1777 | Salzburg |
| 286 | 269a | Notturno in D for Four Orchestras | Dec. 1776-Jan. 1777 | Salzburg |
| 270 | 270 | Divertimento in B flat | January 1777 | Salzburg |
| 271 | 271 | Concerto in E flat for Piano, No. 9, “Jeunehomme” | January 1777 | Salzburg |
| 267 | 271c | 4 Contredanses | Early 1777 | Salzburg |
| 266 | 271f | Trio in B flat | Early 1777 | Salzburg |
| 278 | 271e | Church Sonata in C | March-April 1777 | Salzburg |
| 287 | 271H | Divertimento in B flat, “Lodron” | June 1777 | Salzburg |
| 272 | 272 | Recitative and Aria for Soprano, “Ah, lo previdi” | Aug. 1777 | Salzburg |
| 273 | 273 | Gradual in F, “Sancta Maria, mater Dei” | Sept. 9, 1777 | Salzburg |
| 275 | 272b | Missa brevis in B flat | Late 1777 | Salzburg |
| 395 | 300g | Capriccio in C for Keyboard | October 1777 | Munich |
| 309 | 284b | Sonata in C for Keyboard | Oct.-Nov. 1777 | Mannheim |
| 311 | 284c | Sonata in D for Keyboard | November 1777 | Mannheim |
| 285 | 285 | Quartet in D for Flute, Violin, Viola and Cello | Dec. 25, 1777 | Mannheim |
| 307 | 284d | Arietta in C, “Oiseaux, si tous les ans” | Winter 1777-78 | Mannheim |
| 313 | 285c | Concerto in G for Flute | Early 1778 | Mannheim |
| 314 | 285d | Concerto in D for Flute (Oboe?) | Early 1778 | Mannheim |
| 301 | 293a | Sonata in G for Violin and Keyboard | Early 1778 | Mannheim |
| 302 | 293b | Sonata in E flat for Violin and Keyboard | Early 1778 | Mannheim |
| 303 | 293c | Sonata in C for Violin and Keyboard | Early 1778 | Mannheim |
| 305 | 293d | Sonata in A for Violin and Keyboard | Early 1778 | Mannheim |
| 308 | 295b | Arietta, “Dans un bois solitaire” | Winter 1777-78 | Mannheim |
| 285a | Quartet in G for Flute, Violin, Viola and Cello | Jan.-Feb. 1778 | Mannheim | |
| 294 | 294 | Recitative and Aria for Soprano, “Alcandro, lo confesso” | Feb. 24, 1778 | Mannheim |
| 295 | 295 | Aria for Tenor, “Se al labbro mio non credi” | Feb. 27, 1778 | Mannheim |
| 295a | Recitative and Aria for Soprano, “Basta, vincesti” | Feb. 27, 1778 | Mannheim | |
| 296 | 296 | Sonata for Violin and Keyboard in C | March 11, 1778 | Mannheim |
| 354 | 299a | 12 Variations for Piano on “Je suis Lindor” | Early 1778 | Paris |
| 300 | 300 | Gavotte | ?Early 1778 | Paris |
| 299 | 297c | Concerto for Flute and Harp in C | April 1778 | Paris |
| Anh. 10 | 299b | Ballet, Les petits riens | May-June 1778 | Paris |
| 297 | 300a | Symphony in D, No. 31, “Paris” | June 1778 | Paris |
| 304 | 300c | Sonata in E minor for Violin and Keyboard | Early summer 1778 | Paris |
| 310 | 300d | Sonata in A minor for Keyboard | Summer 1778 | Paris |
| 306 | 300l | Sonata in D for Violin and Keyboard | Summer 1778 | Paris |
| 316 | 300b | Recitative and Aria for Soprano, “Popoli di Tessaglia” | July 1778 | Paris |
| 264 | 315d | 9 Variations in C on “Lison dormait” | Late summer 1778 | Paris |
| 365 | 316a | Concerto in E flat for Two Pianos, No. 10 | 1779 | Salzburg |
| 364 | 320d | Sinfonia Concertante in E flat for Violin and Viola | 1779 | Salzburg |
| 321 | 321 | Vesperae de Dominica in C | 1779 | Salzburg |
| 276 | 321b | Regina Coeli in C | ?1779 | ?Salzburg |
| 345 | 336a | Choruses and Entr’actes for Thamos: König in Ägypten | 1779 | Salzburg |
| 378 | 317d | Sonata in B flat for Violin and Keyboard | Early 1779 or 1781 | Salzburg or Vienna |
| 329 | 317a | Church Sonata in C | ?March 1779 | Salzburg |
| 328 | 317c | Church Sonata in C | ?Early 1779 | Salzburg |
| 317 | 317 | Missa in C, “Coronation” | March 23, 1779 | Salzburg |
| 146 | 317b | Aria for Soprano in B flat, “Kommet her, ihr frechen Sünder” | March-April 1779? | Salzburg |
| 318 | 318 | Symphony in G, No. 32 | April 26, 1779 | Salzburg |
| 319 | 319 | Symphony in B flat, No. 33 | July 9, 1779 | Salzburg |
| 335 | 320a | Two marches in D | August 1779 | Salzburg |
| 320 | 320 | Serenade in D, “Posthorn” | August 3, 1779 | Salzburg |
| 315 | 285e | Andante in C for Flute | ?1779-80 | ?Salzburg |
| 334 | 320b | Divertimento in D | 1779-80 | Salzburg |
| 344 | 336b | Zaide | 1779-80 | Salzburg |
| 339 | 339 | Vesperae solennes de confessore in C | 1780 | Salzburg |
| 368 | 368 | Recitative and Aria for Soprano, “Ma che vi fece” | 1779-80 | Salzburg |
| 224 | 241a | Church Sonata in F | Early 1780 | Salzburg |
| 225 | 241b | Church Sonata in A | Early 1780 | Salzburg |
| 336 | 336d | Church Sonata in C | March 1780 | Salzburg |
| 337 | 337 | Missa solemnis in C | March 1780 | Salzburg |
| 445 | 320c | March in D | Summer 1780 | Salzburg |
| 338 | 338 | Symphony in C, No. 34 | Aug. 29, 1780 | Salzburg |
| 349 | 367a | Song, Die Zufriedenheit | Winter 1780-81 | Munich |
| 351 | 367b | Song, “Komm, liebe Zither” | Winter 1780-81 | Munich |
Works: 1781-1785
| K1 | K6 | Composition | Date | Place |
|---|---|---|---|---|
| 562a | Canon in B flat for 4 voices in 1 | ?1780s | ?Vienna | |
| Anh. 191 | 562c | Canon in C for 4 voices in 1 | ?1780s | ?Vienna |
| 330 | 300h | Sonata in C for Keyboard | 1781-83 | Munich or Vienna |
| 331 | 300i | Sonata in A for Keyboard | 1781-83 | Munich or Vienna |
| 332 | 300k | Sonata in F for Keyboard | 1781-83 | Munich or Vienna |
| 361 | 370a | Serenade in B flat for Winds, “Gran Partita” | 1781 or 1781-84 | Vienna |
| 366 | 366 | Idomeneo, rè di Creta | Jan. 29, 1781 | Salzburg and Munich |
| 367 | 367 | Ballet for Idomeneo | Jan. 29, 1781 | Salzburg and Munich |
| 341 | 368a | Kyrie in D minor | ?Nov. 1780-Mar. 1781 | ?Munich |
| 370 | 368b | Quartet in F for Oboe, Violin, Viola and Cello | Early 1781 | Munich |
| 369 | 369 | Recitative and Aria for Soprano, “Misera, dove son!” | March 8, 1781 | Munich |
| 372 | 372 | Allegro in B flat for Keyboard and Violin | March 24, 1781 | Vienna |
| 379 | 373a | Sonata in G for Violin and Keyboard | April 1781 | Vienna |
| 374 | 374 | Recitative and Aria for Soprano, “A questo seno deh vieni” | April 1781 | Vienna |
| 373 | 373 | Rondo in C for Violin | April 2, 1781 | Vienna |
| 359 | 374a | 12 Variations in G on “La Bergere Celimene” | June 1781 | Vienna |
| 360 | 374b | 6 Variations in G on “Helas, j’ai perdu” | June 1781 | Vienna |
| 352 | 374c | 8 Variations in F on “Dieu d’amour” | June 1781 | Vienna |
| 376 | 374d | Sonata in F for Violin and Keyboard | Summer 1781 | Vienna |
| 377 | 374e | Sonata in F for Violin and Keyboard | Summer 1781 | Vienna |
| 380 | 374f | Sonata in E flat for Violin and Keyboard | Summer 1781 | Vienna |
| 375 | 375 | Serenade in E flat for Winds | October 1781 | Vienna |
| 448 | 375a | Sonata in D for Two Keyboards | November 1781 | Vienna |
| Anh. 171 | 285b | Quartet in C for Flute | 1781-82 | ?Vienna |
| 265 | 300e | 12 Variations in C on “Ah vous dirai-je” | 1781-82 | Vienna |
| 353 | 300f | 12 Variations in E flat on “La belle Francoise” | 1781-82 | Vienna |
| 392 | 340a | Song, “Verdankt sei es dem Glanz” | 1781-82 | Vienna |
| 391 | 340b | Song, An die Einsamkeit | 1781-82 | Vienna |
| 390 | 340c | Song, An die Hoffnung | 1781-82 | Vienna |
| 363 | 363 | 3 Minuets | c1782-83 | ?Vienna |
| 386 | 386 | Rondo for Piano in A | 1782-83 | Vienna |
| 413 | 387a | Concerto in F for Piano, No. 11 | 1782-83 | Vienna |
| 415 | 387b | Concerto in C for Piano, No. 13 | 1782-83 | Vienna |
| 229 | 382a | Canon in C minor for 3 voices in 1 | c1782 | ?Vienna |
| 230 | 382b | Canon in C minor for 2 voices in 1 | c1782 | ?Vienna |
| 231 | 382c | Canon in B flat for 6 voices in 1, “Leck mich im Arsch” | c1782 | ?Vienna |
| 233 | 382d | Canon in B flat for 3 voices in 1, “Leck mir den Arsch” | c1782 | ?Vienna |
| 234 | 382e | Canon in G for 3 voices in 1, “Bei der Hitz’ em Sommer ess ich” | c1782 | ?Vienna |
| 347 | 382f | Canon in D for 6 voices in 1 | c1782 | ?Vienna |
| 348 | 382g | Canon in G for 12 voices in 3, “V’amo di core teneramente” | c1782 | ?Vienna |
| 119 | 382h | Aria for Soprano, “Der Liebe himmlisches Gefühl” | ?1782 | ?Vienna |
| 408/1 | 383e | March in C | 1782 | Vienna |
| 408/3 | 383F | March in C | 1782 | Vienna |
| 408/2 | 385a | March in D | 1782 | Vienna |
| 414 | 385p | Concerto for Piano in A, No. 12 | 1782 | Vienna |
| 404a | Arrangements of 6 Preludes and Fugues by J.S. and W.F. Bach | 1782 | Vienna | |
| 405 | 405 | Arrangements of 5 Fugues by J.S. Bach | 1782 | Vienna |
| 394 | 383a | Prelude and Fugue in C for Keyboard | Early 1782 | Vienna |
| 382 | 382 | Rondo in D for Piano | March 1782 | Vienna |
| 383 | 383 | Aria for Soprano, “Nehmt meinen Dank, ihr holden Gönner!” | April 10, 1782 | Vienna |
| 409 | 383f | Symphonic Minuet in C | ?May 1782 | ?Vienna |
| 388 | 384a | Serenade in C minor for Winds | ?July 1782 or late 1783 | Vienna |
| 385 | 385 | Symphony in D, No. 35, “Haffner” | July 1782 | Vienna |
| 384 | 384 | Die Entführung aus dem Serail | July 16, 1782 | Vienna |
| 393 | 385b | Solfeggios for Voice | ?August 1782 | Vienna |
| 407 | 386c | Quintet for Horn and Strings in E flat | End 1782 | Vienna |
| 387 | 387 | Quartet in G for Strings | Dec. 31, 1782 | Vienna |
| 435 | 416b | Aria for Tenor, “Mußt’ ich auch durch tausend Drachen” | ?1783 | ?Vienna |
| 432 | 421a | Recitative and Aria for Bass, “Così dunque tradisci” | ?1783 | ?Vienna |
| 333 | 315c | Sonata in B flat for Keyboard, “Linz” | 1783-84 | Linz and Vienna |
| 436 | 436 | Notturno for Two Sopranos and Bass, “Ecco quel fiero” | ?1783-86 | ?Vienna |
| 437 | 437 | Notturno for Two Sopranos and Bass, “Mi lagnero” | ?1783-86 | ?Vienna |
| 438 | 438 | Notturno for Two Sopranos and Bass, “Se lontan” | ?1783-86 | ?Vienna |
| 439 | 439 | Notturno for Two Sopranos and Bass, “Due pupille” | ?1783-86 | ?Vienna |
| 346 | 439a | Notturno for Two Sopranos and Bass, “Luci care, luci belle” | ?1783-86 | ?Vienna |
| 439b | 5 Divertimenti in B flat | ?1783 or later | Vienna | |
| 441 | 441 | Trio for Soprano, Tenor and Bass, “Liebes Mandel, wo is’s Bandel?” | ?1783 | Vienna |
| 416 | 416 | Scena and Rondo for Soprano, “Mia speranza adorata” | Jan. 8, 1783 | Vienna |
| 398 | 416e | 6 Variations on “Salve tu, Domine” | March 1783 | Vienna |
| 417 | 417 | Concerto in E flat for Horn | May 27, 1783 | Vienna |
| 421 | 417b | Quartet in D minor for Strings | June 1783 | Vienna |
| 178 | 417e | Aria for Soprano, “Ah, spiegarti, oh Dio” | ?June 1783 | ?Vienna |
| 419 | 419 | Aria for Soprano, “No, no, che non sei capace” | June 1783 | Vienna |
| 423 | 423 | Duo in G for Violin and Viola | ?Summer 1783 | ?Salzburg |
| 424 | 424 | Duo in B flat for Violin and Viola | ?Summer 1783 | ?Salzburg |
| 418 | 418 | Aria for Soprano, “Vorrei spiegarvi, oh Dio” | June 20, 1783 | Vienna |
| 420 | 420 | Aria for Tenor, “Per pietà, non ricercate” | June 21, 1783 | Vienna |
| 428 | 421b | Quartet in E flat for Strings | June-July 1783 | Vienna |
| 427 | 417a | Missa in C minor | July 1782-Oct. 1783 | Vienna |
| 422 | 422 | L’oca del Cairo | Late 1783 | Salzburg and Vienna |
| 430 | 424a | Lo sposo deluso | Late 1783 | Salzburg? and Vienna |
| 425 | 425 | Symphony in C, No. 36, “Linz” | Oct.-Nov. 1783 | Linz |
| 431 | 425b | Recitative and Aria for Tenor, “Misero! O sogno!” | ?Dec. 1783 | ?Vienna |
| 426 | 426 | Fugue in C minor for Two Keyboards | Dec. 29, 1783 | Vienna |
| 444 | 425a | Introduction to Symphony in G by Michael Haydn | Late 1783 or 1784 | Vienna |
| 447 | 447 | Concerto for Horn in E flat | ?1784-87 | Vienna |
| 453a | Funeral March in C minor for Keyboard | 1784 | Vienna | |
| 461 | 448a | 6 Minuets | Early 1784 | Vienna |
| 462 | 448b | 6 Contredanses | January 1784 | Vienna |
| 463 | 448c | 2 Minuets with Contredanses | Early 1784 | Vienna |
| 449 | 449 | Concerto in E flat for Piano, No. 14, “First Ployer” | Feb. 9, 1784 | Vienna |
| 450 | 450 | Concerto in B flat for Piano, No. 15 | March 15, 1784 | Vienna |
| 451 | 451 | Concerto in D for Piano, No. 16 | March 22, 1784 | Vienna |
| 452 | 452 | Quintet in E flat for Piano and Winds | March 30, 1784 | Vienna |
| 453 | 453 | Concerto in G for Piano, No. 17, “Second Ployer” | April 12, 1784 | Vienna |
| 453b | Exercise Book for Barbara Ployer | |||
| 454 | 454 | Sonata in B flat for Keyboard and Violin, “Strinasacchi” | April 21, 1784 | Vienna |
| 460 | 454a | 8 Variations on “Come un agnello” | ?June 1784 | Vienna |
| 455 | 455 | 10 Variations in G on “Unser dummer Pöbel meint” | Aug. 25, 1784 | Vienna |
| 456 | 456 | Concerto in B flat for Piano, No. 18, “Paradis” | Sept. 30, 1784 | Vienna |
| 457 | 457 | Sonata in C minor for Keyboard | Oct. 14, 1784 | Vienna |
| 458 | 458 | Quartet in B flat for Strings, “Hunt” | Nov. 9, 1784 | Vienna |
| 459 | 459 | Concerto in F for Piano, No. 19 | Dec. 11, 1784 | Vienna |
| 410 | 484d | Adagio in F for Two Basset Horns and Bassoon | ?End 1785 | ?Vienna |
| 506a | Studies for Thomas Attwood | 1785-86 | Vienna | |
| 464 | 464 | Quartet in A for Strings | Jan. 10, 1785 | Vienna |
| 465 | 465 | Quartet in C for Strings, “Dissonant” | Jan. 14, 1785 | Vienna |
| 466 | 466 | Concerto in D minor for Piano, No. 20 | Feb. 10, 1785 | Vienna |
| 469 | 469 | Davidde penitente | March 1785 | Vienna |
| 467 | 467 | Concerto in C for Piano, No. 21 | March 9, 1785 | Vienna |
| 468 | 468 | Song, Lied zur Gesellenreise | March 26, 1785 | Vienna |
| 470a | Instrumentation for a Concerto for Violin by G.B. Viotti | April 1785 | Vienna | |
| 471 | 471 | Cantata, Die Mauererfreude | April 20, 1785 | Vienna |
| 472 | 472 | Song, Der Zauberer | May 7, 1785 | Vienna |
| 473 | 473 | Song, Die Zufriedenheit | May 7, 1785 | Vienna |
| 474 | 474 | Song, Die betrogene Welt | May 7, 1785 | Vienna |
| 475 | 475 | Fantasia for Piano in C minor | May 20, 1785 | Vienna |
| 476 | 476 | Song, Das Veilchen | June 8, 1785 | Vienna |
| 478 | 478 | Quartet in G minor for Piano and Strings | Oct. 16, 1785 | Vienna |
| 477 | 479a | Maurerische Trauermusik | November 1785 | Vienna |
| 479 | 479 | Quartet for Soprano, Tenor and Two Basses, “Dite almeno” | Nov. 5, 1785 | Vienna |
| 480 | 480 | Trio for Soprano, Tenor and Bass, “Mandina amabile” | Nov. 21, 1785 | Vienna |
| 483 | 483 | Song with Chorus, “Zerfließet heut” | End 1785 | Vienna |
| 484 | 484 | Song with Chorus, “Ihr unsre neuen Leiter” | End 1785 | Vienna |
| 411 | 484a | Adagio in B flat for Two Clarinets and Three Basset Horns | ?End 1785 | ?Vienna |
| 506 | 506 | Song, Lied der Freiheit | ?End 1785 | Vienna |
| 481 | 481 | Sonata in E flat for Violin and Keyboard | Dec. 12, 1785 | Vienna |
| 482 | 482 | Concerto in E flat for Piano, No. 22 | Dec. 16, 1785 | Vienna |
References
- Giegling, Weinmann and Sievers, eds. Chronologisch-thematisches Verzeichnis samtlicher Tonwerke Wolfgang Amadé Mozarts. 6th edition. Wiesbaden, 1964.
- Landon, H.C. Robbins, ed. The Mozart Compendium. New York, 1990.
- Sadie, Stanley. The New Grove Mozart. New York, 1983.
- Zaslaw, Neal, and Cowdery, William, eds. The Compleat Mozart. New York, 1990.